Ontological Structure of Literary Fiction

RELATED TERMS: Actantiality; Affordances; Metalepsis;

As noted in the entry for Metalepsis, in the context of literary fiction, the simplest ontological structure has three levels:

• the level of the story (the diegesis), at which the characters exist;
• the level of the narration (the extradiegesis), at which the narrator exists, for example, through third-person narration; and
• the level of the real, at which the reader and author exist.

In contrast to the reality of the world in which the book is authored and read, the diegesis and the extradiegesis are both fictional.

While constructed as a hierachy, even within literary narratives the relationships among these levels may be complicated. For example, in narrative autobiographies the author, the narrator and the main character coincide.

The ontological structure of designs is considerably more complicated than a simple hierarchy. The best image for the ontological structure of a design is that of a tangled hierarchy, with the participant entangled in its field of actantiality-affordances from which there is no simple ‘escape’.

References

Macrae, A. (2019) Discourse deixis in metafiction: the language of metanarration, metalepsis and disnarration. New York, NY: Routledge.

Monteagudo, J. G. (2011) Jerome Bruner and the challenges of the narrative turn. Narrative Inquiry, 21(2), pp. 295–302. doi: 10.1075/ni.21.2.07gon